Science Fiction and the West: Part 1

Three events inspired this post: 1) I reread A Canticle for Leibowitz, set in future Utah, for the first time since moving west, 2) a member of my scifi club out east joined wordpress (check out his blog here), and 3) I visited the fantastic Bisti Wilderness Area in northwest New Mexico. All at once, I was reminded of sharing the west with friends out east, and confronted with the west in future fiction and the west’s natural absurdity.

I pondered my bookshelf. The genre is not as teeming with western themes as one might think of a genre that grew up side-by-side with the cowboys and indians craze. There’s Joe Haldeman’s Worlds, which briefly depicts a future lawless Nevada. I thought of an Ursula Vernon short story and a series by R.S. Belcher that I have yet to read. But nothing else. It seemed odd. Then I saw all the books about Mars—in many ways, they are books about the west. Kim Stanley Robinson’s Mars trilogy, Philip K. Dick’s hallucinogenic Martian books, Heinlein’s Stranger in a Strange Land… whenever Mars is a character, it feels a lot like the west.

And it’s no surprise that the Mars of fiction feels like the west. John Carter was filmed in southern UtahTotal Recall filmed in Nevada. Robison Crusoe on Mars filmed in Arizona and Death Valley. It’s more than just superficial: NASA has tested rovers at White Sands National Monument, because the dunes are similar to those on Mars. NASA even brought a piece of rock to Mars from New Mexico on the rover for calibration purposes.

This post is just the first on this topic. I’ve lived in the west for six months now. I’ve traveled it only a little. I need to read the science fiction of the west, the science fiction of Mars, and to experience the natural surreality of this land. But for now, I leave you with the science fiction west.

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