I am two years into a project of science fiction illustration inspired by Hiroshige’s 100 View of Edo. I’m working on 100 views of Vironevaeh. I’ve completed 75 line art drawings, and am satisfied with 44 of them. It’s a project that ebbs and flows, and I constantly seek new sources of inspiration. The floor of my office is littered with books tabbed with post-it notes—a photo essay of the Koreas, French war illustrations from World War I, a Western photo essay, amongst others. This weekend I found art deco master George Barbier.
I’ve written about my interest in art deco and art nouveau before. (see: Victor Horta’s architecture, Alphonse Mucha’s posters and Walter Crane’s childrens books.) When I found a book of George Barbier illustrations on my shelf, purchased over a year ago, but forgotten in a cross-country move, I found inspiration.
The book is the top Barbier hit on Amazon, though it is mostly in Japanese with some original French. Barbier was one of the top artists in France after World War I, but disappeared largely after his death in 1932, a fate that seems to happen to many of the commercial artists of this period. Blissfully, he is in ascendance, even if the most accessible manifestation at the moment is an unreadable rendition in metallic blue. The illustrations are good enough that that doesn’t matter.
The book has hundreds of illustrations from what seem like a variety of sources. The impenetrable Japanese let my imagination run wild. Below are just three.
One inspired me rather directly. Can you tell? Time to take my scattered brain back into the world of inspiration.