Tag Archives: photography

Exploring Albuquerque

Albuquerque’s a great place to explore with a camera. The weather’s cooperative, mostly, with consistent lighting and low humidity. There’s a great balance of industry and nature, gaudy and dilapidated, geometric and organic. There aren’t many trees, so there are more opportunities for sweeping vistas, often punctuated by mountains or volcanoes. There’s even a great chance you’ll catch something awesome in the sky, be it a flyover from the air force base or a hot air balloon. So this weekend I explored Albuquerque–not the surrounding area– on a photo tour.

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Playful editing on Route 66. A vintage car in from the Pueblo Deco style Kimo Theater.

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Abandoned buildings in the Albuquerque railyards, which once employed 40% of the city. Part of it now hosts a Sunday market.

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A look inside an abandoned building in the ABQ railyards. 5 exposures merged via HDR process.

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Cruising on Route 66 in downtown ABQ. A vintage car in from the Pueblo Deco style Kimo Theater. The vintage car drivers are very cooperative and slow down a little when they see the lens. ABQ has a lot of great vintage cars.

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HDR sunset in downtown ABQ on Route 66.

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Cruising on Route 66 in downtown Albuquerque at sunset.

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The Kimo Theater marquis and the neon lights emerging at sunset in downtown Albuquerque on Route 66.

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The Deco Pueblo style Kimo Theater

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The Launchpad concert venue in downtown Albuquerque.

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Labor Day fireworks. Photomerge of 8-ish images, because why not?

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Photography prompt: Photographing light

A couple of months ago, I did some photography prompts. Recently, I reviewed these photos and was pleasantly surprised how much I still liked them. I took photos I wouldn’t normally take, and saw new things.

Now that I’m in a new place, paradoxically I am short on photo inspiration. Everything is so interesting that it can be hard to zero in, especially when work, grocery stores, bars, and walking paths are new forms of shiny distractions. So today I’m posting one of my prior photography prompts, and I hope to continue with more in the future.

Today’s prompt is “photographing light”. This is not the same as photographing shadows cast by light, it is photographing the light itself. I got this prompt from the Lynda.com photographic composition course by Ben Long. I took these pictures on the Downtown Mall in Charlottesville in the early evening, not quite at golden hour, but late enough in the day that the windows were casting reflections in interesting places.

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In this picture, I liked the way the reflections from different buildings interacted, and how they contrasted with the brick pattern.

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In this photo, the windows from across the street are reflecting light onto shadowed windows. The reflections allow you to see shapes in the windows that you couldn’t see by looking at them directly, plus the contrast simply pleases me.

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A distant window cast light onto this crosswalk aid. I almost ignored it, as one does with crosswalks one does not need, but with this small and brilliant beam of light, the guide suddenly was radiant. I loved the simple colors in this one, turning it b+w would have stripped it of so much.

Kasha-Katuwe Tent Rocks National Monument

Kasha-Katuwe Tent Rocks National Monument is between  Santa Fe and Albuquerque. It’s only about a 3 mile hike, with only 600 feet in elevation rise. If you want to visit Tent Rocks, arrive early, before the heat and the tour groups, and bring lots of water.

At Kasha-Katuwe Tent Rocks National Monument, you hike through a limestone slot canyon. Up above, there are formations of the most unusual shapes– some are like tents, some are like upraised fists, and some are like petrified dunes. It[s a testament to the power of wind and water in the west. My sorest muscle after this hike was my neck– from craning at all the great scenery.

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Heading west

Today is my official last post from the east. I’m going to be very disorganized for a couple of weeks (I’ve already been a bit), but I’ll keep posting. It’s hard to leave a place you love, but I have high hopes for my new digs. I mean, just look at it!

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Working some HDR magic on an already-gorgeous vista. All it took to get here was a terrifying tram ride!

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Cuttlefish! Low light photography with the A7s still knocks my socks off.

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Like, seriously, try snapping jellyfish on a camera with a max ISO of 3200. You can’t do it! Definitely enjoyed my ISO with the jellyfish tank.

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World Pinhole Photography Day

Did you know that a pinhole can focus and project light? A pinhole in an opaque material is the world’s simplest camera! Yesterday was World Pinhole Photography Day.

History

The discovery of pinhole optics massively predates photography (the act of chemically recording a projected image). During the Renaissance, painters traced scenes projected onto a canvas by a pinhole on the opposite wall. The use of a pinhole to project images goes back to 5th century BC China.

A camera obscura uses a pinhole to project an image. Renaissance painters could then trace these images. (image source: Wikipedia)

Why Pinholes?

In an age of digital cameras and high-end optics, the pinhole endures, charming and simple.  In honor of World Pinhole Photography Day, I went on a pinhole outing.

You might ask, what is the point of pinhole photography in this day and age? There are aesthetic and practical reasons. I like knowing exactly how my lens works, for once. Even a prime lens can have upwards of a dozen pieces of glass in it. I have a good science background, and I can’t even touch that level of optics. A hole in black plastic. I get that. Pinholes have interesting properties. True, they don’t focus nearly as sharply as lenses. But because pinholes have such small apertures, they have nearly infinite focal depth.

Brief photography lesson: larger openings (apertures) allow more light and create shallow ranges of focus. This can be desirable in a portrait. Small openings permit less light and increase range of focus. This might be preferable for a landscape. Sufficiently small openings cause softening due to diffraction (physics of light stuff). If you shoot on an SLR, you may have noticed diffraction-caused softening on shots at f/22. The pinhole I use is f/177. This diffraction is what gives pinhole photos their texture.

The upshot: pinhole photos flatten a scene. Something a yard away will look similar to something 100 yards away. This allows a photographer to create interactions between different depths that wouldn’t be possible with a conventional lens. And finally, pinholes can create a really fun old-timey effect.

My setup

My setup is a bit like sticking a horse-drawn carriage on a rocket ship. I use a Lensbaby composer with the pinhole optics kit. My camera is a Sony Alpha 7s. Pinhole photography, due to the tiny amount of light transmitted, has slow exposure time. Exposures are often measured in multiple seconds. The Sony Alpha 7s is one of the fastest consumer cameras in the industry, with a maximum ISO of 409600. Thus, I was able to take decent handheld pinhole images even in low light by using high ISO.

Lenbaby pinhole on Sony Alpha 7s.

Lensbaby pinhole on Sony Alpha 7s.

The Images!

ISO 409,600, 1/6 second exposure. No tripod. Indoor shot on a rainy day.

ISO 409,600, 1/6 second exposure. No tripod. Indoor shot on a rainy day.

ISO 20,000; 1/60 sec.

ISO 20,000; 1/60 sec.

ISO 80,000; 1/60 sec.

ISO 80,000; 1/60 sec.

ISO 12,800; 1/60 sec.

ISO 12,800; 1/60 sec.

ISO 16,000, 1/60 second exposure.

ISO 16,000, 1/60 second exposure.

ISO 160,000, 1/10 second exposure. Indoor shot on a rainy day.

ISO 160,000, 1/10 second exposure. Indoor shot on a rainy day. I love how it looks like a 40s cheesecake shot.

The Cherry Blossom Festival in Washington DC

Though I’ve lived in Virginia for seven years and I love to photograph flowers, I had never been to Washington DC’s Cherry Blossom Festival. I fixed that on Sunday. Since then, I’ve been working to transfer, organize and edit my 860 photos. Then my primary computer crashed in a fiery blaze, and will require repairs. But I could pull off some of the work and my favorites are below. The tidal basin in DC is lined with 2000 cherry trees, and they were all at their absolute peak Sunday. It was one of the most beautiful days I’ve ever enjoyed. It was packed with people, which I usually hate but Sunday they didn’t matter.

Check out full size images as well as several enormous panoramas here.

Cherry Blossom Festival in Washington DC. Taken on April 12, 2015.

Jefferson Memorial & Cherry Blossoms. Combination of two images with focus stacking.

Cherry Blossom Festival in Washington DC. Taken on April 12, 2015.

The Washington Monument & Cherry Blossoms.

Cherry Blossom Festival in Washington DC. Taken on April 12, 2015.

Jefferson Memorial & Cherry Blossoms

Cherry Blossom Festival in Washington DC. Taken on April 12, 2015.

Flowers at the George Mason Memorial

Cherry Blossom Festival in Washington DC. Taken on April 12, 2015.

The Washington Monument & Cherry Blossoms

Cherry Blossom Festival in Washington DC. Taken on April 12, 2015.

Macro photography methods: early spring blooms

Here in Virginia, spring is just beginning, and most of the signs of it are small and close to the ground. This spring, I decided to zoom in on that small world. Macro photography can be expensive, but it doesn’t have to be. For my photos, I used a 100 mm macro lens, some extension tubes to cut the minimum focal distance, and a kick light for illumination. If you don’t have a macro lens, you can also get great macro images using any lens with reverse lens macro. I used reverse lens macro to capture the image below.

Resistors with reverse macro

While I waited for a warm day, I practiced indoors. Below is an image of a civil war token lit with a kick light. Kick lights are great– they are small and bright, and you can couple them to your smart phone to control the color of the light. I chose blue here, thinking it might complement the copper tones of the coin.

Token the size of a penny. Lit using a kick light set to blue light.

Token the size of a penny. Lit using a kick light set to blue light.

In another exercise, I went to the kitchen and took pictures next to the window. This way I could think about natural light without dealing with the more trying aspects of nature like wind and the lack of convenient countertops.

A bottle cap in macro.

A bottle cap in macro.

Finally I got a nice day. My first subject was a lenten rose. Viewed from above, these early bloomers look more like shrubs than flowers. Only from below do you see what pretty flowers they are. Which means getting underneath a shrub-height flower.

I used a kick light to pull up the deep shadows in the middle of the flower. A gorilla pod (a simple $10 mini-tripod/flexible grip sort of thing) let me get the kick light where I needed it. After some trial and error (and some laying in the dirt and cursing the glare on my view screen while simultaneously really appreciating the view screen since my older camera doesn’t have one), I got this image below. With the aperture set to f11, the depth of field is good. A few of the stamen are out of focus, and I wonder if another stop or two would have captured them. I didn’t notice them while I was taking the image. Still, pretty pleased with this image.

A lenten rose in macro, lit from beneath with a kick light.

A lenten rose in macro, lit from beneath with a kick light.

Next I found some scilla. These flowers are electrically blue, but they are dinky. Each flower below is about the size of a penny. They were growing in deep shadow, so again I used the kick light, this time more to achieve the contrast and the white balance I wanted.

Scilla flowers in macro.

Scilla flowers in macro.

Later, I found some moss growing on a brick. For this image, I used my extension tubes. They cut the light, but they allow great and affordable zoom. This was in full sun, so I didn’t need the kick light. I find this image slightly creepy, like those tendrils are going to grow into the pine cone and consume it. Here the aperture is f4– this was for effect rather than for exposure.

Moss and pine cone on a brick in macro.

Moss and pine cone on a brick in macro.

And finally, my favorite image of the day, a lovely purple crocus. This shot was just a matter of playing with angles and trying to stay in focus. Happy spring, everyone!

Crocus in macro.

Crocus in macro.

Pittsburgh’s transcendent Cathedral of Learning

There is a gothic skyscraper on the University of Pittsburgh campus called the Cathedral of Learning. It’s a beautiful building that does indeed resemble a vertically stretched cathedral. But inside are 29 nationality rooms that are even more astounding. Each one is themed around a different nationality (or culture, in the case of some like the African Heritage Classroom or the Israel Heritage Classroom). The oldest were dedicated in 1938, and the newest was dedicated in 2012. Each room is a highly detailed presentation of the culture of its country, down to the light switch panels, lights, and chair backs. Most are designed by architects of the country and decorated by artists of the country. And they’re all incredibly beautiful.

I visited the cathedral about a year ago now, but I’m still enthralled by it. I wrote about it then too. But recently I was editing my pictures from my visit, which gave me an excuse to post about it again. Check out the photos below, or the hundred full-res images I posted as creative commons works on Flickr.

The Ukrainian Classroom, dedicated in 1990.

The Ukrainian Classroom, dedicated in 1990.

The Turkish Classroom, dedicated in 2012.

The Turkish Classroom, dedicated in 2012.

The Israel Heritage Classroom, dedicated in 1987.

The Israel Heritage Classroom, dedicated in 1987.

The Greek Classroom, dedicated in 1941.

The Greek Classroom, dedicated in 1941.

The Chinese Classroom, dedicated in 1939.

The Chinese Classroom, dedicated in 1939.

The Swedish Classroom, dedicated in 1938.

The Swedish Classroom, dedicated in 1938.

The Lithuanian Classroom, dedicated in 1940.

The Lithuanian Classroom, dedicated in 1940.

A detail from the Irish Classroom, dedicated in 1957.

A detail from the Irish Classroom, dedicated in 1957.

A detail from the Polish classroom, dedicated in 1940.

The tempura painted ceiling in the Polish classroom, dedicated in 1940. 

The Hungarian Classroom, dedicated in 1939.

The Hungarian Classroom door, dedicated in 1939.

The Czechoslovak Classroom, dedicated in 1939.

The Czechoslovak Classroom, dedicated in 1939.

A detail from the Yugoslav Classroom, dedicated in 1939.

The ceiling in the Yugoslav Classroom, dedicated in 1939.

Merging photographs

Lately I’ve been improving my Photoshop skills with courses from Lynda.com. If you want to learn a design program, I strongly recommend them. In a year, I’ve learned so much about Photoshop, Illustrator, InDesign, Lightroom, JavaScript, CSS, photography, and more. In Photoshop alone, I learned way more than I figured out in 15 years of experimentation.

With my new learning, I’ve been able to breathe new life into old photos. Over the past several years, I took numerous sets of photos that I intended to turn into panoramas and HDRs, but then I could never get them to look right. With newfound skills come newfound confidence. Check out these beautiful images!

 

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American Southwest near Moab, Utah at sunset. Assembled from 40 24-megapixel images captured with a Sony Alpha 100. When it was assembling, it tied up over 100 gigs of space. This version is 1500×557 pixels; the full size is 19,000 x 7,000!

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Detail from above photo, center-left at horizon.

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Mount Saint Helen’s in Washington state. Assembled from 6 24-megapixel images from a Sony Alpha 100.

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Detail from above photo, center left.

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Waterfall in Central Virginia along the Blue Ridge Parkway. High dynamic range image assembled from five slow-exposures. Smart sharpen and high pass filters to add sharpness and clarity.

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Rainforest in Olympic National Park. Before assembly, I reduced noise and applied lens corrections. High dynamic range image assembled from five exposures. Smart sharpen and high pass filters to add sharpness and clarity.