Tag Archives: Illustration

Pop-ups: Water Polo

I recently resumed my fascination with pop-up art. It’s fun to abstract the world to a system of interacting planes. I’ve created cats at play, architecture, and hot air balloons. It was inevitable that my play would turn to water polo, and so it has. I wondered how I would depict a goalie blocking a ball or a player swimming down the pool. I cannibalized some poster designs from a few months ago and was off to the races.

Below is my water polo pop-up book! I’m already scheming on new ideas, but I’m very proud of my first foray.

This slideshow requires JavaScript.

Advertisements

Art Deco Posters: Water Polo, the gentleman’s game

The Olympics are coming up! It’s that rare time when non-professional sports get to shine! As a lover and player of water polo, I get so inspired watching the amazing men and women of the world expressing their mutual disdain through grabbing, elbowing, and splashing in the big pool. Water polo is GREAT.

As I type this, I nurse a bruise from a deliberate kick in the back, some mystery bruises on my arm, and a sprained thumb. I can only hope I gave as good as I got. But really, one of the wonderful things about water polo is the intensity of the violence compared to the mildness of injury. You cannot fall down or run into a wall, and any underwater shenanigans are dissipated by the water. As I have often said, water polo enables to player to express all of the intent, but little of the impact. That’s perfect!

As I have demonstrated again and again, I love art deco design. I love old art deco Olympic posters; they’ve inspired my water polo art before. Water polo is a niche sport, and there isn’t a ton of art out there for it. Additionally, I enjoy contrasting the gentility of art deco design with the brutal public image of water polo. The soft civility of art deco posters in many way jives with how the game feels as a participant—it’s like a big tea party with all of my scantily-clad friends.

So, as we near these (hopefully sewage free but probably not) Olympics, I hope you’ll enjoy my water polo posters. I got inspired when the Olympic Trials were on TV a few months ago, so you can only imagine how much I’ll enjoy the Olympics.

PrintPrintPrintPrint

The delightful illustrations of George Barbier

I am two years into a project of science fiction illustration inspired by Hiroshige’s 100 View of Edo. I’m working on 100 views of Vironevaeh. I’ve completed 75 line art drawings, and am satisfied with 44 of them. It’s a project that ebbs and flows, and I constantly seek new sources of inspiration. The floor of my office is littered with books tabbed with post-it notes—a photo essay of the Koreas, French war illustrations from World War I, a Western photo essay, amongst others. This weekend I found art deco master George Barbier.

I’ve written about my interest in art deco and art nouveau before. (see: Victor Horta’s architecture, Alphonse Mucha’s posters and Walter Crane’s childrens books.) When I found a book of George Barbier illustrations on my shelf, purchased over a year ago, but forgotten in a cross-country move, I found inspiration.

The book is the top Barbier hit on Amazon, though it is mostly in Japanese with some original French. Barbier was one of the top artists in France after World War I, but disappeared largely after his death in 1932, a fate that seems to happen to many of the commercial artists of this period. Blissfully, he is in ascendance, even if the most accessible manifestation at the moment is an unreadable rendition in metallic blue. The illustrations are good enough that that doesn’t matter.

IMG_2681

The book has hundreds of illustrations from what seem like a variety of sources. The impenetrable Japanese let my imagination run wild. Below are just three.

This slideshow requires JavaScript.

One inspired me rather directly. Can you tell? Time to take my scattered brain back into the world of inspiration.

 

Vironevaeh: 19 years of love

Like so many of us sci-fi-ers, I grew up on science fiction television. I remember watching Star Trek Next Generation in a high chair, and later I watched Babylon 5 and Voyager. I feared the space under the bed because my brother told me it contained a black hole. I drew aliens, made up planets, and wrote in codes. Once a friend cut the bridge of my nose with a hardcover book during horseplay, and I was delighted to declare myself Bajoran.

In 5th grade, we had the city project; we had to invent a city, describe its economy, design a model of it, and write a small essay. It was my catalyst. I created a city called Vironevaeh, set on a distant planet, colonized by humans from Earth in the distant future. My languages, my maps, my characters, my aliens now had a focal point.

That was 19 years ago. Once a year, I like to look back and celebrate all the fun I’ve had since. Dreaming about world building made me look at our own world in odd ways.

For now, Vironevaeh is just my little place. Maybe someday it will be something different, but more than anything, I love the journey.

Trips down memory lane

Below are a pair of landscapes, one from years ago and one from last year. My longing to depict Vironevaeh forced me to draw for a purpose. The pencil drawings was one of my first landscapes ever. The poster was an homage, and and another experiment in new territory: art nouveau and posters.

This slideshow requires JavaScript.

Maps

Maps are a simple staple of scifi and fantasy, but drawing maps made me ask a lot of questions. What kinds of geology could happen on a planet that could still sustain humanoid life? Or non-humanoid? Where should lakes, mountains, deserts, and oceans be in a realistic environment? What kinds of names would places have? What names would be linguistically compatible? What kind of linguistic range could I expect on a planet–how much would it vary in a place with a global culture versus one with regional cultures? What kind of stories would I tell about the people on such planets based on the map, and for the people whose stories I had already imagined, what kinds of maps would that require? Maps seem dry and factual on the surface, but I found myself asking a million such second-level questions. I love maps.

This slideshow requires JavaScript.

Storytelling

Vironevaeh filled me with stories, but I struggled to express them as I felt them. I have written my stories so many ways. Nowhere is that more rapidly evident than in my portraits. Below are four portraits of a character over six or so years. I had to learn to get the details right and be honest with myself where it wasn’t right. As ever, it’s a work in progress.

Places for the people

Maps and people weren’t the end, I wanted to know how the streets looked. That’s really hard! There’s architecture and materials, and then there’s imagining the landscape and how such things would fit in. I studied pictures of streets from around the world. I find this aspect the most challenging, but maybe also the most rewarding.

This slideshow requires JavaScript.

Stories of a new world

As I told stories about a new world, I wondered about their stories. And when I told them, I found that they fit everywhere. How many references to the garden of Gethsemane exist in western literature? A new place would have new Gethsemanes. Below are two images from mythology about a mouse, and new people finding that mouse in new constellations.

It’s never the end. Next year I’ll have new thoughts to share. Every year I am a new person, and Vironevaeh is a new place.

M.C. Escher: revisiting a familiar name

M.C. Escher and Salvador Dalí are two of the greatest reality-bending artists. So, fittingly, the Salvador Dalí Museum in St. Petersburg, Florida recently hosted a special Escher exhibit. I’ve visited the Dalí collection many times, but I’d never seen Escher in person.

I had many Escher calendars as a kid. When I took crystallography, we studied the symmetries in Escher’s tessellations. I’ve always been interested in design and mathematics, and Escher is the purest intersection of the two. I was ecstatic to see the exhibit.

Before the exhibit, I was most familiar with Escher’s lithographs. Without too much elaboration, lithography is a high-fidelity technique which allows the artist to produce an image that is not directed by the mechanics of printing (I’m sure the method does direct some artistic choices, but as a non-expert, that’s my rough take on it).

The exhibit contained many of Escher’s woodcuts, which were new to me. Woodcuts are make by carving a plate of wood, coating the plate with ink, and pressing the plate to a page. The page will be white where the wood has been cut away and the page will be colored where the wood remained. Woodcuts have a distinctive style–they cannot render colors in between white and ink color. Multiple colors can be achieved with additional pressings, but the technique is inherently color-limited.Additionally, the resolution of the print is limited to the fidelity of the wood. These two aspects give woodcuts a distinctive artistic feeling. If you can’t tell, I’m currently a little in love with woodcuts.

Escher died in 1972, but thanks to Disney, his works remain out of the Creative Commons. However, I am allowed to use low-resolution works for discussion purposes. You’ll have to buy books if you want anything with much detail, though. Below are a few of my favorite Escher images that are available through Wikipedia, as I have linked them under the image.

Some of Escher’s early works were illustrations. There was a beautiful cathedral, half underwater. There were evil-looking creatures in forests. It was such a romantic side to an artist most think of as a master of geometry. Below is an example of one of his illustrations. Even though it’s of a conventional subject, the Tower of Babel, the perspective is beautiful. I love the lines; this work just wouldn’t be whole using a method besides woodcut.

Below was Escher’s first impossible reality. And look, it’s a woodcut! Hooray!

escher2c_still_life_and_street

Still Life and Street: Escher’s first impossible reality

Below is one of Escher’s more famous images. It is a lithograph printing. See how various tones of gray are possible with this technique, as well as high-fidelity. It lends this images a very different tone than the one above. The lizard design is called a tessellation. Tessellations are plane-filling patterns. They occur in nature and area subject of mathematical study. Escher was inspired by the tiling work at the Alhambra in Spain, another example of tessellation.

Below is another Escher woodcut, done with several plates to achieve multiple colors. Even when Escher wasn’t exploring impossible realities of geometry puzzles, he chose interesting perspectives.

Water Polo Designs & T-shirts

Is there any greater joy in art than seeing a project through and sharing it with others? I designed some water polo t-shirts, and finally they have arrived. They look phenomenal!

Plus, it’s a great joy to design for water polo. It’s a small sport. Maybe you’ll see a neat poster for the Olympics, but that’s about it. The women’s game is especially short on designs. This year, I took my design inspiration from art deco sports posters and the National Parks vintage poster series.

Art Deco poster style

I wanted to convey the sense of motion I like in the art deco posters. The curve of the water surface suggests energetic water. It could also suggest the curve of the ocean.

Vector artwork for t-shirt

Vector artwork for t-shirt

tshirts-04810

Final t-shirt result

design1

Source pencil drawing

Below: An art deco poster I particularly found inspiring. Early versions of my design incorporated gradients to suggest form, as in this poster. In the interests of simplifying printing, I chose to go with two colors.

Mistrzostwo Swiata: Krynica by Stefan Osiecki and Jerzy Skolimowski, 1930.  For the 1931 Ice Hockey World Championships in  Krynica, Poland.

Mistrzostwo Swiata: Krynica by Stefan Osiecki and Jerzy Skolimowski, 1930. For the 1931 Ice Hockey World Championships in Krynica, Poland.

Below: an alternate idea. Like basketball, a lot of action in water polo happens at the center position. Unlike basketball, the offender and defender stay relatively fixed, facing away from the goal. The offensive center wants to turn forwards or backwards to take the shot. The defender waits to react. I hoped that the slightly disjointed postures suggested depth or motion.design2 text-01

Design made into a poster. Perusing Wikipedia, I discovered that water polo has a surprising variety of names for a sport invented only about a century ago.design2-poster-01

Original pencil sketch. Eventually dropped the water ripple and turned it more geometric.design2

National Parks poster style

All the teams in our water polo conference, the Atlantic Conference, are in North Carolina and Virginia. Three out of the five are close to the Blue Ridge Parkway, and none are coastal. This gave me the idea that the conference could be thought of as the Blue Ridge Conference.

The championships this year were held in Charlottesville. Humpback Rocks are a popular hiking destination along the Blue Ridge near Charlottesville. People often hike Humpback rocks at sunrise to get the view of the Rockfish Valley. This fell quite naturally into a vintage style poster look.

This design was a super rush job. I drew the sketch at 10PM before the deadline the next day. The next morning I vectorized it. The shirts arrived a week later. I probably now would choose to make the figure white, for better clarity at a distance, but I still like the design.

Blue-ridge-tee

They didn’t go for my conference renaming. =Ptshirts-1774

Original sketch.IMG_0769

One of the national parks posters that inspired this design.

Three beautiful books that inspire

I’m always looking for design inspirations. Whenever I find myself in an art museum or an interesting shop, I always look to see what kinds of design books they have. Today I included three very different commercially available favorites in my little collection.

Waterlife by Rambharos Jha

A stunningly beautiful book by Indian folk painter Rambharos Jha. The critters come alive with the wiggling and colorful lines. Each page is silk-screened by hand onto hand-made paper. You can see the difference from ordinary printing methods immediately. Striking. This is also one of the best smelling books. Every time I open the book, the smell of ink and paper hits me, I’m looking at this book. My only criticism is that the binding method prevents the book from opening as flat as I would like. I love to look at this book when I’m trying to feel energy in my work.

 

beauty-books-02737beauty-books-02739

Carl Larsson’s A Farm: Paintings from a Bygone Era

A collection of 19th century Swedish painter Carl Larsson‘s farm paintings. His calendars are a staple with the Scandinavian branch of my family. His work makes me think a bit of Norman Rockwell– beautiful and flowing, but with crisp lines that give a feel of illustration. I love to look at his work for inspirations in depictions of the ordinary, the pastoral, the family.

beauty-books-02733beauty-books-02743

Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout by Lauren Redniss

I previously reviewed this book here. I’m not in love with the writing in this book (see the review), but I am in love with the art. I love the way it connects to the science and is elevated by it. The typography for this book is also divine. Redniss even created a special typeface called Eusapia LR for this book, and it works beautifully. This book is an inspiration in marrying art and science.

beauty-books-02736beauty-books-02741